Showing posts with label Eurovision. Show all posts
Showing posts with label Eurovision. Show all posts

Tuesday, May 26, 2015

Eurovision Song Contest in Vienna --with Conchita !



Sie hat eine neue Platte.  Mal hoeren!

Leider war Oesterreich ganz zuletzt dieses Jahr, mit Deutschland kaum besser: im zweitletzten Platz!

Andreas Kuemmert, mit Heart of Stone, hat den Platz fuer Deutschland gewonnen.  (He won the slot for Germany):



But he bowed out, leaving the competition to 21-year-old Ann Sophie to sing a jazzy number about breaking up...Black Smoke.



"How long can we pretend... Don't have the heart to say..Will never be the same. Cuz you said you'd never let me go... Too hot...We're only left with smoke; black smoke."

Aber welches Lied hat gewonnen?  Aus Schweden:  We're Dancing With the Demons in our Minds, von Mans Zilmerloew










Tuesday, August 19, 2014

Herzlich willkommen nach Hause, Königin der Herzen, Conchita Wurst

Bei einem freien Konzert in Wien Ballhausplatz-



1.  Do You Believe in Life After Love (No Matter How Hard I Try, There's No Talking To You..I really don't think I'm strong enough..)
2.  That's My Destiny  (Conchita's 2012 Eurovision Song attempt, in which she placed 2nd in Austria)
3.  Rise Like a Phoenix (Europe's 2014 Eurovision's Top Song)
4.  My Heart Will Go On (This song changed Conchita's life)


Der Sieg der Freiheit, der Offenheit, der Toleranz...was Tom Neuwirth vom Anfang an gekämpft hat.



Und ist Conchita plötzlich eine Politikerin?




Opinion  REUTERS   By John Lloyd  May 12, 2014
Eurovision’s Conchita brings out Russia’s worst and Europe’s best
 

The most complicated thing said over this past weekend by a public figure came from the perfectly rouged lips of the winner of the Eurovision song contest, Conchita Wurst. “I really dream,” she said, “of a world where we don’t have to talk of unnecessary things like sexuality.”

That’s silly on two levels and deeply idealistic on a third. It’s silly, first and most evidently, because sexuality won’t be unnecessary for a long while, and may last as long as this world does.

It’s silly, second and most personally, because Wurst (her second, adopted name means “sausage” but apparently is also Austrian German slang for “whatever…”) had just won the first prize in the world’s wackiest tournament ­– the Eurovision Song Contest held this year in the Danish capital Copenhagen. She was dressed in the slinkiest of gowns hugging a perfectly sexy figure, the perfectly rouged lips set off by a perfectly trimmed black beard. ‘Unnecessary’ had nothing to do with it.

The statement is deeply idealistic because what she was saying was: it’s time we stopped thinking that it’s necessary to make a fuss about a man who’s become a woman and grown a beard. I have my thing and you have yours and if we don’t hurt each other, who is to say who’s better? It’s like … whatever.

Conchita, born Thomas Neuwirth in a small Austrian town is a kind of mascot for the European Union, which takes pride in being neither one thing nor the other – it passes laws, but is most definitely not a single state.

Conchita is everything the EU aspires to be in the eyes of the world – open, tolerant, plural, wholly accepting of every kind of sexuality in every kind of expression, shorn of narrow, cramping, sexual assumptions. She sang, in her winning number “Rise like a Phoenix” that “once I’m transformed, once I’m reborn, (I will) Rise like a phoenix!” – like the mythical bird, rising from the ashes, in Conchita’s case, the ashes of sexual prejudice.

The Russians didn’t see things that way: Conchita was fully aware of that, telling reporters on Sunday that “This was of course directed against some politicians that we know…” “Putin?” “Among others.”

Maybe she also meant back home in Austria, where less than a quarter of one of the EU’s more conservative states had expressed themselves in polls as proud that she was representing their country.

But none expressed themselves publicly like leading Russian politicians felt it was necessary to do. Deputy Prime Minister Dmitry Rogozin employed sarcasm: he tweeted that the win “showed supporters of European integration their European future: a bearded girl.”

Culture Minister Vladimir Medinsky preferred irony. Claiming he was distressed that his children had watched Eurovision, he tweeted — “how am I going to explain all this to them in a ‘politically correct’ and ‘tolerant’ way?”

More crudely, the never-to-be-outdone leader of the Liberal Democratic Party Vladimir Zhirinovsky spat that “Fifty years ago the Soviet Army occupied Austria. We should have stayed there.”

 
As Conchita celebrated the ballot results in Copenhagen, the organizers of a grimmer referendum in eastern Ukraine set up booths in schools, churches and the streets to tally support for a vaguely worded resolution that could lead Donetsk, Slavyansk and Luhansk to greater autonomy and, perhaps, a union with Russia.  And what a Russia it has become.

European tolerance is seen by its leaders as degeneracy; a willingness to acquire territory by force and by guile; an attachment to race, so that ethnic Russians everywhere outside of Russia should be seen as “ours” and, where possible, brought back – along with the land they live on — to Mother Russia.

In case there’s any question about how all of this is playing in the rest of Europe, the Eurovision contest offers another insight.

Russia’s contestants, two sweet-faced sisters named Tolmachevy, suffered boos when they qualified for the finals. A long way from its 2012 entry, the Buranovskiye Babushki, a group of grannies whose sprightly number — “Party for everybody” — got a standing ovation and nearly won the whole competition.

What a difference intolerance, and an invasion, makes.

PHOTO: Conchita Wurst representing Austria performs the song “Rise Like a Phoenix” after winning the grand final of the 59th Eurovision Song Contest at the B&W Hallerne in Copenhagen May 10, 2014. REUTERS/Tobias Schwarz

Wednesday, July 30, 2014

Lena Meyer-Landrut bei Sesamstraße

Bert, O Bert, wo bist du nur geblieben?
--Du bist unser bester Freund.



Lena singt das neue Introlied (Wer?  Wie?  Was?) :


Friday, May 23, 2014

Conchita delights fans with free concert

From AUSTRIA's THE LOCAL
"Austria's News in English"

Conchita delights fans with free concert
                                 Conchita Wurst singing at Ballhausplatz. Photo: APA
Published: 19 May 2014 10:05 GMT+02:00
Ten thousand admiring fans crammed into central Vienna's Ballhausplatz on Sunday afternoon to hear Conchita Wurst's first public performance since her Eurovision win in Copenhagen last weekend.
An eclectic crowd - young and old, straight and gay – many wearing fake beards, cheered and waved rainbow and Austrian flags as Conchita took to the stage.

Humbled by the attention, Wurst opened and closed the show with her winning ballad, Rise Like a Phoenix, as well as a stirring rendition of Cher's hit, Believe and her 2012 Eurovision entry, That's What I Am.

Fans enthusiastically sang along to a karaoke version of Phoenix, following the English text from a giant video screen.

"It was only a week ago. This is unbelievable. It means so much to me that I am not alone. It's beautiful to believe in a future without discrimination and hate, and I'm honoured that next year the Song Contest will come to Austria," Conchita told her enraptured audience.
Ukrainian students, Katya and Valeria. Photo: Kim Traill
Longtime supporter, Christina Pichler, travelled from Burgenland with her mother for the spectacle, which was broadcast live on ORF.  "It's absolutely incredible. She is really uniting everyone. By creating this figure of Conchita, she is showing there is major rethinking and change going on in Europe and all over the world, including in countries where this topic is so negative," Pichler told The Local. 

Ukrainian students, Katya and Valeria, were equally awed. "We think she's great. We were unsure about her at first, but now we're used to her."  But they don't expect their friends in Ukraine to understand their enthusiasm for Austria's new heroine.  "We know when we post pictures on Facebook and people back home see we were here, they will say 'Ugh, how could you?'"
Prior to her performance, the newly crowned Queen of Austria met with Chancellor Werner Faymann and Minister of Culture, Josef Ostermayer, at an official reception at the Federal Chancellery.  "You have made Austrians very proud by what you have achieved at the Song Contest," an impressed Faymann told Conchita.

"Conchita stands for openness and freedom, and I wish that all of Europe will have such an image," he added. 

Wurst, wearing a figure-hugging white dress, appeared overwhelmed by the media attention, as she clutched her Eurovision trophy.  "I feel a freedom that means more to me than winning the Song Contest. Thank you, thank you, each and every one of you," she said.  "Austria has sent a signal to the world. This is overwhelming." 

Sunday, May 11, 2014

Österreich gewinnt? Ja, es stimmt!

Conchita Wurst:  H



Austrian drag queen Conchita Wurst, popularly known as "the bearded lady," won the Eurovision Song Contest on Saturday with the James Bond-theme-like ballad Rise Like a Phoenix, before a global TV audience of about 180 million people in 45 countries.
'It is just a lady with a beard. But it is like we have landed on the moon.'- René Berto, Conchita Wurst's agent
Wurst, sporting high heels, butterfly eyelashes and a full beard, topped the Netherlands' modern-country duo the Common Linnets, who sang Calm After The Storm. Sweden's Sanna Nielsen came in third with her new-age pop song Undo.
"For me, my dream came true," Wurst, 25, whose birth name is Tom Neuwirth, told a news conference after the win. "But for our society, it just showed me that there are people out there who want to go into the future and go on, you know, not stepping back or thinking in the past."
The Danish organizers had declared tolerance a main theme for this year's event, and the rainbow-coloured flag symbolizing gay pride has been flying in many places in Copenhagen during the past week.
"I hope we can change just a few minds," said Wurst's agent René Berto. "It is just a lady with a beard. But it is like we have landed on the moon."
Wurst, Austria's first Eurovision winner since 1966, received the biggest cheers from the audience but also stirred controversy in some countries.
Online petitions were started in Belarus, Armenia and Russia — whose government passed a law last year banning "gay propaganda" among minors — to have Wurst removed or edited out of broadcasts in their countries.
"We did it. It is the most amazing thing. But I knew she would win. I just knew it," Austrian fan Damel Saric told Reuters. "I have travelled to Copenhagen just for this moment."

Geopolitical tensions creep in

The Eurovision competition, which has been held annually since 1956, was created to help foster unity after World War Two and is meant to be non-political. But political strife slipped between the cracks at this year's contest.
Many in the audience booed when the Russian contestants, the 17-year-old Tolmachevy twin sisters, were presented at Saturday's opening ceremony and again when they were awarded points from other, mostly neighbouring, nations.
It was widely speculated that Russia's entry could suffer for the country's annexation of Crimea in March and the government's intransigence on gay rights. Eurovision is hugely popular in the gay community.
"The two Russian girls are sweet, and it is not their fault. But this is a party for everybody. Russia doesn't get that," said one of the booing spectators, a gay Dutch fan who identified himself as Xander.
Ukrainian singer Mariya Yaremchuk, 21, got huge cheers at her performance.
"It could be in the favour of Ukraine, that people vote for Ukraine and people don't vote for Russia because they don't like the political situation," said another Dutch fan, Patrick Van Der Ploeg.
Adding to controversy, organizers said votes from Crimea count as Ukrainian votes, because tallies are based on existing national telephone codes.
Ukraine's song was voted the sixth best of the 26 songs, and Russia's came in at seventh.
Since politics had played a role in the voting in the past, half the points are now awarded by professional judges and half by the public via phone and SMS.

 ----
So kennen die Deutschen ,,Tante Wurst" aus der Fernsehserie "WILD GIRLS"


Hier aus 2007,  singt er als "Tom" (Neuwirth):  

Friday, September 27, 2013

Der goldene Raab

Hier gewinnt Raab einen Sonderpreis vom TV 1 Live, 2010, mit einem lustigen TRIBUTE.

Er ist mit der  Maus gross geworden. (He grew up with the TV kids show Sendung mit der Maus -- that show with the mouse).
Ja, er singt auch das Lied.  (-- Yes, he sings that song, too.) 

Sein Herz ist in der richtigen Stelle.  (His heart is the the right place.)

Watch as Helga Schneider (the popular host) slips him 50 Euro... because the prize was draining on him???

Raab says that he's disguised as the Graf (another popular EUROVISION star with a great bass voice, who always dresses formally), whom (along with Lena) we see in the audience.

Alles was er anfasst geht durch die Decke ... (Everything he touches goes through the roof)
Er soll auch Fussballtrainer sein  Er soll auch nur Trainer fuer FC Koeln werden!?  (the commentators hope he'll lend his hand to the local soccer team, which was bounced out of the premier league last season, and now plays in the 2nd league.)

Immer Quatsch!   (His music is always connected to nonsense.)





Und wer ist Helga Schneider????   Er ist ein grosser, beruehmter Bloedmann! (He's a famous comedian/well-loved baffoon.) 
Das, und auch Musiker.  Hier spielt er Saxophone!

Hier:  etwas lang, aber man verbringt eine ganze Woche im Stockholm, 2000, als er mit dem EUROVISION Song Contest mitmachte.   (This is a chance to follow Raab for an entire week...was fuer Energie!  Uncut.)




Sunday, May 26, 2013

Basel Switzerland's "TOP SECRET DRUM CORPS"

Unbeatable!



Das Cold Steel Drumline spielte doch im Eurovision Song Contest in Düsseldorf, nachdem Lena den Erstenpreis (1st Prize) wieder nach Deutschland geholt hatte.

Wir kennen sie schon, nicht wahr?

Welche Teile sind bei dir am Liebsten?  Ich habe die Drama bei 5:05 und 5:35 sehr gern.  Auch nach 7 Minuten geht es um Fitness und Turnen (gymnastics).


Wednesday, May 15, 2013

In Februar 2013 wurde den Malmø Star gewählt

Donnerstag, 14.2.2013 - Anke Engelke, Moderatorin von „Eurovision Song Contest 2013 – Unser Song für Malmö“

Die zwölf Teilnehmer des Vorentscheids

Der Vorentscheid in Hannover wird spannend.
Ein klarer Favorit kristallisiert sich bisher nicht heraus.
Der Präsident des Eurovision Club Germany, Michael Sonneck, hat bereits in alle 12 Titel reingehört: «Einen Überflieger, der international eine Bombenchance hat, sehe ich im Moment noch nicht», sagt der Chef des größten deutschen Grand-Prix-Fanclubs. «Es wird auch darauf ankommen, was bei den einzelnen Interpreten auf der Bühne passiert.»

Ben Ivory: The Righteous Ones
Betty Dittrich: LaLaLa
Blitzkids mvt.: Heart On The Line
Cascada: Glorious
Finn Martin: Change
LaBrassBanda: Nackert
Mia Diekow: Lieblingslied
Mobilée: Little Sister
Nica & Joe: Elevated
Die Priester & Mojca Erdmann: Meerstern, sei gegrüßt
Saint Lu: Craving
Söhne Mannheims: One Love


Freitag, 15.2.2013 - Die Gewinner des Vorentscheids (AZ/dpa)
...

Alle zwölf Teilnehmer beim Vorentscheid - weiter lesen auf Augsburger-Allgemeine: 
 
http://www.augsburger-allgemeine.de/panorama/Alle-zwoelf-Teilnehmer-beim-Vorentscheid-id24053491.html
 
 

Tuesday, May 14, 2013

Eurovision 2013: Germany singt ,,Glorius"

Cascada singt



Cascada hat gewonnen!

Hier sind die Kuenster:



Hier eine grossartige Liste von  -- 60 --  Deutschen Kuenstlern!  

1.  Oceana    O-O-O
2.  Nena
3.  Andreas Bourani
4.  Mandy Capristo
5.  Deichkind
6.  Jupiter Jones
7.  Kris
8.  Frida Gold
9.  The Boss Hoss
10.  Linda Teodosiu
11.  Die Atzen
12.  Marteria
13.  Marteria
14.  Culcha Candela
15.  Jeanette Biedermann
16.  Halo Brothers
17.  Laing
18.  Xavier Naidoo
19.  Luxuslaerm
20. Revolverheld
21. Rammstein
22. LaFee
23. Tokio Hotel
24.  David Pfeffer
24.  Nico und Joe
26.  Jan Delay
27.  Die Toten Hosen
28.  Ich und ich
29.  Rosenstolz
30.  Seeed
31.  Unheilig
32.  Cro
33.  Daniele Niegroni
34. Cassandra Steen
35.  Manian
36.  Tim Bendzko
37.  Hot Banditoz
38.  Hot Banditoz
39.  Queensberry
40.  Rea Garvey
41. Die Aerzte
42.  Roman Lob
43.  Jennifer Rostock
44.  Mia Valentine
45.  Guano Apes
46.  Melouria
47.  Kraft Klub
48.  Sarah Connor
49.  Sarah Connor
50.  R.I.O.
51.  Silbermond
52.  Stanfour
53.  Mrs. Greenland
54.  No Angels
55.  Pietro Lombardi
56.  Cascada
57.  Glasperlenspiel
58.  Ivy Quainoo
59.  Scooter
60.  Lena

Hier:  Cascada's Competition, EUROVISION 2013


CASCADA's BIO from the official EUROVISION site:  


Front-singer Natalie Horler and her team of producers and writers Yann Peifer (Yanou) and Manuel Reuter (Manian) have topped charts in more than 20 countries with their irresistible dance-pop songs, and collecting numerous awards, including. the World Music Award, 2007. 
Bonn-based Natalie grew up in Germany. The daughter of David Horler, an acclaimed jazz musician and arranger who worked with likes of Quincy Jones, Stan Getz and Tony Bennett, Natalie grew up around music, though was more influenced by stars like Maria Carey and Whitney Houston. At age 18 she started doing studio work and recorded several tracks for different DJs.

In 2004, through her studio work, she met Cologne-based producers Yann Peifer (Yanou) and Manuel Reuter (Manian) who invited her to front their new project, Cascada. Within 18 months, together they found international fame with their huge debut hit Everytime We Touch. A smash in the States before the band even toured there, the song quickly caught on across the globe, followed by a multi-platinum selling album of the same title. The success of the album gained the World Music Award in the category World's Best-Selling German Artist. The second album Perfect Day (2007), led by hit single What Hurts The Most, continued Cascada’s reign as one of the world’s Top Ten selling dance acts.
German authors and producers Yann Peifer (aka Yanou) and Manuel Reuter (aka Manian) have shared a career path for many years. They met virtually by accident in 2004 in a recording studio in Düsseldorf and have been working together ever since. One of their first songs is Miracle, which in 2004 lead to the foundation of the Cascada project with lead singer Natalie Horler. In 2005 they produced the worldwide smash hit Everytime We Touch, which also gave the project its breakthrough and eventually won the World Music Award in 2007.
2006 Manian and Yanou founded the record label Zooland, which had an international breakthrough with newly founded project R.I.O. and its summer 2008 hit Shine On.  The 2nd major Cascada hit Evacuate The Dancefloor, made the Top 10 worldwide and reached #1 in the official UK charts.
In 2013 Manuel and Yann will represent Germany in the Eurovision Song Contest in Malmö with “Cascada – Glorious”. They have also been nominated for GEMA’s German Music Author Award for their long-standing cooperation.